Brand New Key

chubb

This weekend I went back to my roots to the scenic County Limerick village of Galbally to watch the historic rugby victory in the local pub. I managed to get back in time for the game and I even survived for another couple of hours after the match finished. My memory of the rest of the evening is sketchy at best, but I do know I was home and in bed well before Cinderella Time. I was a bit worse for wear the next day and declined my brother’s offer to spend another day in the pub. That was yesterday and today I came back to Limerick. It was great to get back, but a sudden realisation dawned on me as I approached my front door: I didn’t have my house keys.

I looked in the two front pockets of my jeans as well as the back ones. I looked in all the pockets of my jacket, but I didn’t have them. Fortunately, I had a copy of the front door key in my wallet, so I was able to get in. I phoned my brother and he eventually found them on the floor at the back of a chair. They had obviously fallen out of my pocket after my night of drunken debauchery. As I hadn’t used them since, I presumed they were still in my pocket. So, tonight I’ll be sleeping on the couch in the sitting room. It’s a comfortable couch and it’s not my first time sleeping here and I doubt it’ll be the last. Tomorrow, I’m going to Dublin with my friend John to see Jackson Browne at the Olympia. But first, I’m going to have to cycle into town and buy a brand new key

Brand New Key – Melanie Safka

Lock & Key – Mason Proper

Lock & Key – The Whispertown 2000

Latch Key Kid – The Fall

Hit Me With Your Rhythm Stick

djcover

The Guardian’s 1000 Songs Everyone Must Hear concludes with their selection of party tunes. This time I hadn’t heard nearly half of the songs, but I’ve included five below that I tracked down. The complete list would make a good playlist for any party and would be sure to get people out on the dance floor. I’m a bit late with this post as I’ve been celebrating the Irish rugby team’s victory this weekend

Spike Jones was an American musician and bandleader whose band performed parodies of contemporary hits and humorous ditties from the 1930s through the 1950s. Cocktails For Two started out as a romantic number before Jones and co got their hands on it. They add lots of jokey instruments to it to create a version that did not make its original author too happy

Cocktails for Two – Spike Jones

I was fortunate enough to see Richie Havens perform twice in concert. Havens opened Woodstock in 1969 and still continues to perform and record. He has a wonderful voice, a unique percussive style and an unusual way of playing the guitar. Going Back to My Roots was written by Lamont Dozier and was a hit for the band Odyssey in 1981

Going Back to My Roots – Richie Havens

The Specials were an English ska band who formed in Coventry in 1977. In their short-lived career they had a number of hit singles, including Ghostown, a number one in 1981. Nite Klub appears on their debut album and was also the B-side of their version of Rudy, A Message to You

Nite Klub – The Specials

The Cramps were part of the New York punk scene in the late 70s, blending punk rock and rockabilly to form their own unique take on the genre. Over the years, the only two constant members have been Poison Ivy on guitar and Lux Interior on vocals, until Interior’s death in February of this year. Drug Train was a 1980 single and seems to recall elements of Night Train by James Brown

Drug Train – The Cramps

Manu Dibango is a saxophonist from the Cameroon whose style of music drew on jazz, funk and traditional Cameroon music. His Soul Makossa from 1972 was popularised in the US by New York DJs and covered by numerous artists as the original was unavailable at the time. The word Makossa is Cameroon dialect for dance and the song has been sampled frequently on hip-hop and dance records ever since

Soul Makossa – Manu Dibango

1000 songs everyone must hear

Party songs: part seven of 1000 songs everyone must hear

The 51 songs that I haven’t heard from the Guardian.co.uk list of 162

Jackson Browne – The Great Pretender

Jackson Browne

Jackson Browne plays the Olympia in Dublin next week. All going well, I should be going to see him on Tuesday with my friend John. I’ve seen Browne perform live twice already, but I’ve yet to see him headline. The first time I saw him was at The Riverbend, Cincinnati, Ohio, on the eve of my 33rd birthday in 2002. Amazingly, he was supporting Tom Petty & the Heartbreakers. Both acts were brilliant and it was one of the best concerts I’ve ever seen outside Ireland. And, if I remember correctly, the tickets only cost about $35. The next time I saw him was at the first (or was it second?) Midlands Musical Festival near Mullingar in 2006. Along with Guy Clark, Loudon Wainwright III and Glen Campbell, he was one of the highlights of that now, sadly, defunct festival

Jackson Browne was just one of many singer-songwriters who started out in the late 60s and early 70s. His father was a serviceman in the US army and Browne was born in Germany in 1948. His first album was released in 1972, although Nico had recorded her excellent version of his These Days in 1967. The Eagles had a hit with his Take It Easy and both these songs appear on his second album, For Everyman. After Late For the Sky (1974), he released The Pretender and Running on Empty, my favourites among his work. I’ve included the title tracks from these two albums

The Pretender

Running on Empty

Charity & CD Collecting, Championships & Confetti

Lemonheads-front

Once a week, I pop into the city centre and wander around the charity shops. Over the years I’ve picked up some interesting books and cds that I might have otherwise missed out on. It’s also handy when I get stopped on the street by those annoying people who try to get you signed up to their charity organisation. I don’t have to feel guilty when I politely refuse by saying, “No, thanks. I already contribute to local charities on a weekly basis.” Recently, however, my visits to what the Americans call thrift stores have produced decidedly slim pickings, and my weekly contributions have declined as a result. I was about to do something drastic like go to a proper record store when I hit paydirt earlier today. The first four shops I visited had nothing on offer. At the fifth, I squeezed my way to the back, past all the old ladies and non-nationals who were looking at the clothes and knick-knacks. I elbowed my way towards the cds, although I paused to let out a pregnant woman pushing a buggy. I spotted the cds in a basket on the counter. It had a sign stuck on the front which read, “ALL CDS NOW 50c.” Brilliant, I thought, they’re trying to get rid of all the crap.

I started flicking through the cd singles and the other rubbish when a light appeared at the end of my tunnelling. Some charitable person with impeccable musical taste must have just dropped off part of their collection. I found albums by such household names as The Durrutti Column, The Barenaked Ladies, The Jesus & Mary Chain and Seasick Steve’s latest, I Started Out With Nothing And I Still Got Most of It Left (The Italian rugby team should use this as their theme song). The one that really caught my eye, though, was a cd by The Lemonheads called It’s a Shame About Ray. I had bought this cd brand new in a three-for-twenty-quid deal in the early 90s. Back then, I played it constantly and it became a firm favourite of mine. At least, I played it constantly for about four years. In 1998 my ability to listen to it ceased abruptly and without warning.

Lemonheads-back

Looking at the interesting cover on the front and the tracklisting on the back brought my mind back to a decade earlier. One of the girls who had been sharing the house I was renting at the time had moved out a few weeks previously. Like most of the people I’ve shared a house with, we didn’t get on too well. To be honest, I was glad to see the back of her. On the other hand, I was on good terms with the landlord. I used to collect the rent from everyone and give it to him or else leave it in an envelope in my room for him to collect. One day the landlord called over looking for the rent. I told him that I had left it in my room for him a few weeks earlier. I presumed he had picked it up while he had been wondering why we were behind. I went into my room and turned the place upside down in case the envelope had fallen down somewhere. I didn’t find it, but while searching I remembered something that had been on my mind around that time. On quite a few occasions, I went to play a particular cd, but had been unable to find it. I had a lot less cds back then, only a few hundred, so I went through them and found that about a dozen were missing. We put two and two together and decided that it was not unreasonable to assume that the previous tenant had absconded with the envelope as well as an eclectic selection from my music collection. When I started thinking about the cds I realised that they had been ones that I’d been playing in the kitchen while cooking and that she had commented favourably upon on a number of times. Among the missing were The Pixies’ Doolittle, Songs for Swinging Lovers by Sinatra and, the one I now held in my hand, It’s a Shame About Ray by The Lemonheads.

“You look like a man on a mission,” I heard the lady behind the counter say, bringing me firmly back to 2009. “Mission accomplished,” I replied as I handed her my new-found bounty. As she went through the cds she remarked that she was not familiar with any on the bands, but that they had “interesting covers.” I agreed with her and told her that the music was even more intriguing. “Seven cds,” she said “That’ll be four-fifty, please.” I felt a little guilty paying so little for such a fine collection, so I handed her a tenner and said that she could keep the change. She was happy to get a few bob more and I was happy to get a bargain. So happy, in fact, that I didn’t even point out to her that seven cds at 50c each comes to three-fifty.

I cycled home and put on the Lemonheads cd. As I listened to it again, I recalled the last time I heard these songs. It was nine months earlier on Saturday the 25th of May, 2008. Now, I don’t have a photographic memory and can name the date of every song I’ve ever heard. I remember the date because it was the day that Munster won the Heineken Cup for the second time in Cardiff. Having been out all day drinking I dragged my friend Henning along to see lead Lemonhead, Evan Dando, play a gig at Dolan’s Warehouse that night. Dando was on a solo tour promoting the re-release of It’s a Shame About Ray. He began the show by singing the album’s thirteen tracks (including the bonus ones) in sequence. I hadn’t known he was going to do this and I don’t even know if he announced he was going to do it. But, about halfway through I realised what he was doing. He finished the album and then played more songs by the band and a load of covers. It was a brilliant gig, even though I can’t remember a lot of it due to the large amount of alcohol that had been consumed throughout the day.

triple-crown

Saturday, March 21st, is going to be another huge day for rugby fans not only in Limerick and Munster, but all over Ireland, and even in Cardiff. This time it’s not Munster who’ll be playing, although many of their players will be involved. On this occasion, it will be the Irish rugby team who attempt to do something that has only been accomplished once before. In 1949, Ireland defeated Wales in their final match to win the Grand Slam. At the last Rugby World Cup, we thought Ireland might win the bloody thing and we were really disappointed when they didn’t. We were even more disappointed by their terrible performances and their lack of passion at that tournament. We approach 2009′s final game against Wales with a sense of optimism and the belief that we have a fighting chance of defeating the Welsh. We know it’s going to be a tight game. We know it’s going to be a tense game. And we know that it’s going to be a close game. We also know that we can lose by as much as a dozen points and still win the Championship. But, the fans and the players want more than that. We want the Grand Slam. And we know full well that we won’t be getting any charity from Wales

UPDATE

In what was one of the most thrilling and tense sporting encounters that I have ever witnessed, Ireland beat Wales 17-15 to win the 2009 Grand Slam. It was indeed a close affair with the lead changing hands a number of times in the closing stages. With less than ten minutes to go, Ireland were holding on to a two point lead. With five minutes to go, Stephen Jones put Wales ahead with a drop goal. Fortunately, there was still enough time for Ireland to get another score. And, with two minutes left on the clock, Ronan O’Gara struck a sweet drop goal between the posts to restore Ireland’s slender lead. Then, in the final minute Ireland gave away a penalty on the half-way line. Stephen Jones, who had been kicking well all afternoon, lined it up. Not a sound must have been heard all over Ireland as the ball left his boot and sailed up in to the air and on target towards the posts. All around the country, everyone let out a collective sigh of relief as the ball failed to make it and a few moments later the referee blew his whistle and Ireland won only its second Grand Slam. The rest of the night is a bit of a blur, although it involved lots of celebrating and laughing and good times. The Irish team returns to a civic reception in Dublin today where there will be more celebrations and laughter and good times and even a bit of confetti

l3712031

Confetti – Lemonheads

Johnny Too Bad

John Martyn
Tonight, BBC4 screens two programmes to commemorate the late John Martyn, who died on January 29th this year at the age of 60. First up at 10.00pm is a 1994 documentary that follows the events surrounding the amputation of one of his legs. It also includes a look back at his career as well as snippets from some of his live performances. The show is followed at 11.00pm by a live performance in London in 1978

I was fortunate enough to see this wonderful singer, songwriter & musician in concert, not once, but twice. On both occasions I saw him perform at Dolan’s Warehouse in Limerick along with my friend John, who’s also a big fan. The first time was definitely the best and ranks as one of the best concerts I’ve ever attended.

Recently, I found a load of floppy disks from about ten years ago. Half of them wouldn’t open, but I found some interesting stuff on a few of them. On one of them I came across a review of that first John Martyn gig that I had done for the college magazine in 1999. While it’s a bit heavy on the alliteration, it captures the atmosphere of the gig quite well. I must admit that I don’t recall his Chris de Burgh impression, but I do remember miaowing along with the rest of the audience. Purr-fect!

JOHN MARTYN. DOLAN’S WAREHOUSE. NOV 18, 1999

The Celtic atmosphere in Dolan’s this Wednesday night did not come from Ireland, it originated in Scotland. In the bar, their football team was playing the Auld Enemy. In The Warehouse, John Martyn took on the Irish. The Tartan Terrors beat the Wembley Wizards 1-0. Although they won the battle, they lost the war. However, this did not worry one of their favourite sons as the Big Scot easily won the audience’s approval.
He began with a solo performance that included a remarkable rendition of May You Never, a song covered by Eric Clapton. When the band arrived, one of the highlights was Solid Air, written for his late friend, Nick Drake. Another treat was the reggae tune, Johnny Too Bad. Near the end he played Sweet Little Mystery, one of his more famous songs.
In between, the audience was treated to his uncannily accurate Chris de Burgh impression and some jokes delivered in his impenetrable Scottish brogue. At one point, he even managed to get everybody to miaow. He was so good that he reduced the Celtic Tigers to kittens. For the encore, he sang Somewhere Over the Rainbow. The Scot’s jovial manner suggested that he was already there

This post goes out to my friend John who’s just started his namesake’s biography. Here are a couple of songs that were mentioned above plus links to his site and BBC links to the shows:

May You Never

Over the Rainbow (live)

John Martyn’s Official Site
Johhny Too Bad on the BBC site

Johnny Too Bad schedule on BBC 4

John Martyn in Concert schedule on BBC 4

There Is a Light That Never Goes Out

life-after-death

The penultimate day of The Guardian’s 1000 Song Everyone Must Hear features songs about life and death. As usual, I hadn’t heard over forty of them but, unusually for me, I was only able to track down a handful of these.

Bertie by Kate Bush is not a tribute to Ireland’s former Taoiseach, but a song for her son. It appears on her double album, Aerial. I like a lot of Ms Bush’s earlier stuff, but I’ve only given this album a few spins, so I missed out on this one. I must check it out again

Bertie – Kate Bush

Chris Difford was one half of the singing/songwriting partnership that made up that quintessentially English pop band, Squeeze. I’ve always had a preference for Glenn Tilbrook’s vocals, but I quite like Difford’s voice on this one. I always liked Squeeze’s lyrics and that’s also true of this track from The Last Temptation of Chris (2008)

Fat as a Fiddle – Chris Difford

Dress Sexy at My Funeral is a nice piece of advice from the Bill Callahan-led American band Smog. I would not be too upset if this happened at my ultimate going-away party. Unfortunately, I don’t think it would go down too well with the rest of the villagers

Dress Sexy at My Funeral – Smog

Irma Thomas was a New Orleans soul singer who never became as famous as her contemporaries such as Aretha Franklin. I like her voice and am a fan of songs like It’s Raining and Ruler of My Heart. Wish Someone Would Care was a single from 1964

Wish Someone Would Care – Irma Thomas

Apologies for posting a reggae tune for the second day running, but the weather in Ireland has been unseasonably warm and sunny. I always like to play a bit of reggae as it goes with this type of weather and reminds me of my time in Jamaica. Jamaica is also the home of The Congos and it’s from their 1977 album, Heart of the Congos

Fisherman – The Congos

1000 songs everyone must hear

Life and death: 1000 songs everyone must hear

The 34 songs that I haven’t heard from the Guardian.co.uk list of 131

Fight the Power

Sit on This!

The Guardian continues its excellent series, 1000 Songs Everyone Must Hear, with protest songs and political songs. Unsurprisingly, the most common themes represented are songs about opposition to war and about race relations. I had not heard over forty of the songs on the list. I managed to track down half of those and here are five that I particularly enjoyed.

(What Did I Too to Be So) Black and Blue is Louis Armstrong’s version of a song by Fats Waller, whose best known songs were Ain’t Misbehavin’ and Honeysuckle Rose. Waller’s songs were mostly humorous in tone, but this is darker and this is particularly true of Satchmo’s version from 1929

(What Did I Do To Be So) Black & Blue? – Louis Armstrong

Burning Spear is the name of a reggae band fronted by Winston Rodney, who was born in Saint Anne’s Bay, Jamaica, also Bob Marley’s birthplace. It was also the birthplace of Marcus Garvey, a very important figure in Jamaican culture and history. Garvey is considered a prophet in the Rastafarian religion and the band titled their 1975 album after him. Slavery Days is the second track on that album

Slavery Days – Burning Spear

Trouble Every Day is a critique of TV news in late 1960s America. It appears on Freak Out, the debut album from Frank Zappa’s Mothers of Invention. Zappa never lost his political edge and twenty years later he would be involved in a protracted with the PMRC, concerning music censorship

Trouble Every Day – Mothers of Invention

Sam Stone appears on John Prine’s first album from 1971. It’s about a Vietnam veteran who becomes addicted to morphine after being prescribed the drug to help alleviate the pain of his war injuries. The song’s criticism of America’s involvement in the Vietnam war is not overtly political and is far more effective as a result

Sam Stone – John Prine

I got into The Decemberists around the time of their album The Crane Wife. I liked their story-songs, folky feel and Colin Meloy’s voice. 16 Military Wives is from their preceding album, Picaresque, and it is also a subtle protest about a war, this time the Iraq War. It also makes digs at the news media and celebrity culture in relation to the war

16 Military Wives – The Decemberists

1000 songs everyone must hear

Politics and protest: part five of 1000 songs everyone must hear

The 20 that I haven’t heard from the Guardian.co.uk list of 141

Between the Sheets

sex_music

When you have love and heartbreak and people and places, sex isn’t too far behind. The fourth part of The Guardian’s seven-part series, Songs Everyone Should Hear, continues with songs about nocturnal emisions, horizontal jogging or, if you’d prefer, shagging. All tastes are catered for and I was particularly pleased to see the presence of songs like I Touch Myself, Orgasm Addict and Turning Japanese, which are linked by their do-it-yourself approach to the subject in, er, hand

I had never heard over forty of the songs on this list previously, but I’ve managed to narrow that down to a number that’s one shy of a dozen. The songs that I’ve chosen have more to do with sexual politics and gender relations than bumping and grinding. They also share a common sense of humour and playfulness. Of the songs that I’ve heard for the first time today, five stand out and all are sung by ballsy female singers. This one’s for the ladies!

First up is one of the first female blues singers, the charismatic Bessie Smith. Empty Bed Blues comes from 1928 and is a classic blues number with a jazzy score. Bessie’s got the blues cause her bed’s empty and she misses her ‘coffee grinder’ and ‘deep sea diver’. Bessie died in 1937, still in her 40s

Empty Bed Blues – Bessie Smith

Twenty years later, Wanda Jackson released the incendiary (it’s the only word for it) Fujiyama Mama. In this rocking tune, she belts out lyrics that rather distastefully compare the American bombings on Japan to her the state of her libido. Amazingly, the song made it to number one in Japan! Jackson, known as the “Queen of Rockabilly”, went steady with the King of Rock ‘n’ Roll around this time. In the 70s, she became a born-again Christian and spent the next few decades singing gospel

Fujiyama Mama – Wanda Jackson

The all-girl group, the Shangri-Las, are best known for their once-banned Leader of the Pack. The conversational lyric of Give Him a Great Big Kiss combines brashness and shyness quite nicely. I love the spoken intro: “When I say I’m in love, you best believe I’m in love, L.U.V.”

Give Him a Great Big Kiss- The Shangri-Las

Come Again by The Au Pairs treats sexual politics and gender relations in a far more brazen fashion. This post-punk Birmingham outfit’s lyrics were as angular and aggressive as their music. Come Again appears on their debut album, Another Music in a Different Kitchen. In this live version, singer Lesley Woods leaves the audience in no doubt as to the its subject matter by introducing it with these words: “This song’s about faking orgasms”

Come Again (live) – Au Pairs

Elastica’s approach has more in common with the Au Pairs than the Shangri-Las. One of the few female-led bands to emerge during Brit Pop, Stutter was their first single and the version below was re-recorded for their debut album. In this song, the female narrator is quite dismissive of her emasculated boyfriend

Stutter – Elastica

1000 songs everyone must hear

Sex: part four of 1000 songs everyone must hear

The 11 songs that I haven’t heard from the Guardian.co.uk list of 131