Absence Makes the Heart Grow Fonder


The cover of Kate & Anna McGarrigle's first LP

Kate McGarrigle, the Canadian folk singer, songwriter and musician, passed away last week. She formed a successful musical partnership with her sister Anna and a less successful one with American singer-songwriter, Loudon Wainwright III. Kate and Loudon were married to each other for a few years in the early seventies, although this union managed to produce two more talented singer-songwriters, Rufus and Martha Wainwright. The two kids have become quite successful in their own right, but I first encountered Rufus and Martha in their father’s songs, stuff like Rufus is a Tit Man and Five Years Old. Around the time I was getting into Loudon, I also came across the debut album from Kate and Anna McGarrigle (pictured above) and learned more of Loudon’s relationship with Kate through Loudon’s sometimes funny, sometimes sad songs about their last years together and its aftermath. This was one hell of a musical family and each member used the lyrics of their songs as a cathartic device to express their feelings in song. Previously, I’ve posted Rufus’ interpretation of his father’s One Man Guy here, and both Loudon’s song about Rufus and Martha’s song about Loudon here. Here are a few more songs that chronicle this family dialogue beginning with a song that Kate wrote about Loudon that appears on the sisters’ debut and concludes with (if my French is correct) an ode to drink that, I guess, acknowledges Kate’s French and Irish heritage. In between, I’ve included more of Loudon’s songs about Kate, Martha and Rufus along with some responses from the kids. You’ll also find a song that Rufus wrote about his mother’s facial mark and Martha’s In the Middle of the Night, which concerns her mother’s illness

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Best Albums of the 00s: Fleet Foxes

Fleet Foxes - Fleet Foxes (2008)

The penultimate entry in my list of favourite albums released throughout the noughties is the debut offering from the Fleet Foxes. At first, I had avoided the band because they’d been the subject of a bit too much hype in the music press and online. I imagined that they were just another cool indie band, although this was before I had actually heard any of their music. Fortunately, I was pleasantly surprised when I got around to listening to them. The first song I heard was White Winter Hymnal and it encapsulates a lot of what the band is about. Straight away, the close harmony vocals reminded me of a certain American group from the sixties. As nearly every review or feature pointed out, the influence of Crosby, Stills, Nash & Young was quite apparent. Certainly, the vocal harmonies, the a capella moments, and the elements of folk singing were borrowed from CSNY. Another vocal influence that is not as obvious at first, but becomes apparent after numerous listens, is the influence of gospel music which highlights the spiritual side of their music

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Best Albums of the 00s: In Rainbows

In Rainbows - Radiohead (2007)

It’s taken a little longer than expected, but I continue my look back at my favourite albums of the 00s with In Rainbows. In 2003, Radiohead’s deal with EMI concluded with the release of their sixth album, Hail to the Thief. Three years later, Thom Yorke released his first solo album, The Eraser. The members of the band were now in their late thirties, while Yorke became a father of two. There had been rumours of tension between band members, but they had been working away on a follow-up to Hail to the Thief over the previous couple of years. On October 1st, 2007, the band announced on its website that they had just completed their seventh album. No less than ten days later, In Rainbows was made available for download on a specially-created website. In a bold move, Radiohead cut out the middle man and released the album themselves and, in the process, allowed their fans and music lovers to pay as much or as little as they wished for the collection of ten mp3s. As if to highlight their estrangement from traditional music industry practices, the band did not release any singles or music videos, they did not give interviews to TV or to music magazines and so made no front covers. They didn’t even send out promo copies to reviewers; the music press and the common masses received the album at the same time. The band didn’t have to worry about any of these publicity and marketing gimmicks as their innovative idea was the biggest gimmick of them all

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Comfortably Numb

A snow couple built by Mary & Dave

A couple of schoolteachers I know are feeling a little bit down at the moment. Firstly, they have to put up with the unusually cold weather that Ireland, like everywhere else, is experiencing at the moment. Secondly, they have to stay home from school until Thursday as all national and secondary schools in Ireland will be closed until then. Despite this, Mary and Dave have been putting a brave face on it and this weekend they decided to build a couple of snowpeople in their backyard. As you can see from the photo*, both of them seem to have big smiles on their faces, but there appears to be some tension between them as well. The fellow on the right seems to be a lot more content than his companion. The reason for his happiness may be due to the nice cold bottle of Bud he’s holding in his hand. His lady friend seems to be giving him the cold shoulder for now, but I’m sure he’ll melt her heart before the night is through (cold hands, warm heart and all that). Of course, it’s possible she may be stone cold sober, so let’s hope he’s got a few more bottles on ice or she may end up getting cold feet. Mind you, she looks like butter wouldn’t melt in her mouth, although I can’t help thinking she could think of something to say that might break the ice

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Return to Sender


I had been so busy preparing my birthday tribute to David Bowie that it completely slipped my mind that the Chameleon of Pop used to get his birthday cards on the same day as the King of Rock ‘n’ Roll. Yesterday marked the 75th anniversary of Elvis Presley’s birth in Tupelo, Mississippi. Like Bowie, Elvis was also an actor, although the films he appeared in were merely vehicles for his star status and internationally-recognised persona. And, like Bowie, Elvis was a huge influence on the development of popular music. Of course, his music wasn’t as innovative or original as that of Bowie, but Elvis inspired more people than anybody else to go on to become musicians and performers. Growing up in the 70s, his music was all over the radio and the neighbours beside me were huge fans. I’ve always liked him as a singer and a performer despite the fact that he never wrote any of his own songs. Last night I put together this mix of Elvis songs as well as songs written about him. I start off with three songs by The King himself. The first two concern an American state where I lived for a while and appear on my two favourite albums by him: The Sun Sessions and From Elvis in Memphis. They’re followed by his interpretation of an old Irish tune. Next up are two Elvis impersonators with a couple of pretty impressive-sounding impersonations. The next batch of songs represent a selection of the many tributes written about Elvis. Some are affectionate and commemorate his death; some describe pilgrimages to Graceland; and the others poke fun at his legacy and particularly the many sightings of him since he died. Finally, I’ve included some of my favourite covers of songs made famous by Mr Presley. Elvis has left the building

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Happy Birthday, Mr Bowie


On Monday evening, I finally got to see Nicolas Roeg’s The Man Who Fell to Earth. This 1976 film was the fourth that Roeg had directed and I’d already seen and enjoyed his previous three: Performance (co-directed with Donald Cammell), Walkabout and, in particular, Don’t Look Now. I was also interested in seeing David Bowie in the title role of Thomas Newton, an alien on a mission to bring water back to his dying planet. Like Roeg’s previous films, it’s never completely clear to the viewer what exactly is going on; information is kept from the audience, little is properly explained and scenes that we believe take place in the present are intercut with scenes that may occur in a different time and place. Generally, everything comes together, more or less, at the end. I believe that Don’t Look Now is a superior film, but I quite enjoyed The Man Who Fell to Earth and Bowie’s performance was one of the film’s highlights. It was quite clever of Roeg to cast Bowie as the alien. The singer had constantly reinvented himself over the previous decade and these reinventions would have made him more suited to this role than many of his contemporaries in the music world. More importantly, the persona of his most famous creation, Ziggy Stardust, and the recurring theme of space travel in his songs also came in handy for his role as as a travelling spaceman

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A New Coat of Paint


It’s the start of the new year so I’ve decided to do a bit of re-decorating around the site. All the links to older posts and to my favourite sites around the web are now at the bottom of the page. I’ve also gone for a different layout and background. Over the next few weeks I’ll be revealing the final three titles in my list of favourite albums from the last decade. I’ll also be publishing three posts featuring fifty of my favourite films from that decade. And I’ll also continue to post now and then about this and that. Here are ten songs to kick off my first post of 2010


Don’t Look Back – Teenage Fanclub

Such a Little Thing Makes Such a Big Difference – Morrissey

There’ll Be Some Changes Made – Peggy Lee

You Can’t Tell the Difference After Dark – Alberta Hunter

Don’t Look Back (Peter Tosh cover) – Bettye Swann

Things Have Changed (Bob Dylan cover) – Barb Jungr

New Coat of Paint – Tom Waits

It Makes No Difference (The Band cover) – Denison Witmer

New Feeling – Talking Heads

Don’t Look Back – Lloyd Cole