All Things Must Pass

George Harrison: Living in the Material World is a return to form for director Martin Scorsese following the 2008 release of Shine a Light, his rather lacklustre concert film about The Rolling Stones. Fortunately, his depiction of the Beatle known as The Quiet One has more in common with Scorsese’s 2005 film about Bob Dylan. No Direction Home was over 200 minutes long and in two parts, but still managed to only cover Dylan’s career up to 1966. Living in the Material World is also a two-parter and is similar in length to the Dylan one, but manages to cover the whole of Harrison’s life up to his death on November 29th, 2001. A major strength of No Direction Home was its newly-recorded interviews with an extremely open and talkative Dylan. Living in the Material World makes up for the loss of its protagonist by drawing on a range of interviews with Harrison at various points in his career. It opens by chatting to two of his uncles who talk about the younger George growing up in Liverpool and also draws upon letters written by George to his parents. These are voiced by an actor and would have been more effective if he sounded like Harrison or, at least, adopted a Scouse accent. Visually, the lack of film footage from this period is nicely balanced by a simple but effective use of black & white photographs. Many of these appeared to be newly discovered and we also get to see a lot of unseen footage from his days with The Beatles

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Hit Records

This weekend, I’ll be babysitting my nephews, Seán and Patrick. It promises to be two days of eating, drinking, watching movies, playing games and reading. One book we’ll be looking at is the latest edition of the Guinness Book of World Records, which Seán picked up recently. I remember being fascinated the first time I laid eyes on an earlier edition of the book and I look forward to checking it out again. I’m sure that Seán will be interested in the tallest people, animals and buildings in the world and other such facts. I remember being intrigued by these things myself at his age, but in recent years the likes of film, football and music have been more likely to grab my attention. So, I’ve put together five fabulous facts about the world of music that I’ve found at the Guinness World Records website. Perhaps some of these might even be in Seán’s book

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Beautiful Noise

This week’s episode of Later with Jools Holland features a couple of lesser-known acts along with three pretty well-known singer-songwriters. Sir Paul McCartney will be promoting the re-release of Band on the Run, originally released in 1973 when he was with Wings. His version of I’m Partial to Your Abracadabra appears on the Brand New Boots & Panties tribute to Ian Dury. McCartney has written and recorded with Elvis Costello in the past and maybe they’ll collaborate again on this week’s show. Costello has just released his follow-up to Secret, Profane & Sugarcane. National Ransom was recorded in Nashville and Los Angeles with The Sugarcanes and was produced by T Bone Burnett. I must admit that I always fast forward the moment that Neil Diamond takes the stage during The Band’s Last Waltz concert. Nevertheless, he has written some great songs over the years and the best of these have been performed by other artists. I’m a Believer by The Monkees, Girl, You’ll Be a Woman Soon by Urge Overkill and Solitary Man by Johnny Cash are three of the better ones. Solitary Man was his first hit as a performer in 1966. Aloe Blacc is the stage name of Egbert Nathaniel Dawkins III. Miss Fortune is taken from the American rapper’s Good Things album. The Black Keys are a duo from Akron, Ohio, and Brothers is the title of their current album. Their version of a song co-written by that McCartney fella and is taken from The Big Come Up. There are three episodes remaining in the current series of Later

I’m Partial to Your Abracadabra (Ian Dury cover) – Paul McCartney & the Blockheads

I Threw It All Away (Bob Dylan cover) – Elvis Costello

Solitary Man – Neil Diamond

Miss Fortune – Aloe Blacc

She Said, She Said (Beatles cover) – The Black Keys