The Pleasure & The Privilege

Last night I popped over to my local library to read a short little book that I’d been meaning to dip into for a while. The Uncommon Reader by Alan Bennett was recommended to be by my friend John and I picked up a used (albeit immaculate) copy of it a while back in Charlie Byrne’s in Galway. The title of Bennett’s novella alludes to a 1925 book by Virginia Woolf and the protagonist of his story is far from a common reader. She is, in fact, Queen Elizabeth II or, rather, a fictionalised version of her majesty. Liz’s recent visit to Ireland made me want to check it out and I also wanted to take a break from all the Scandinavian crime fiction I’ve been devouring lately

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Best Albums of the 00s: She & Him (Volume One)

Volume One - She & Him (2008)

The final entry (finally!) in my dozen favourite albums of the decade is also the one with the shortest running time on the list, She and Him’s Volume One (2008). ‘She’ is Hollywood actor Zooey Deschanel and ‘Him’ is singer-songwriter and musician M. Ward. The pair met on the set of a film called The Go-Getter where they recorded a version of Richard & Linda Thompson’s When I Get to the Border for its soundtrack. The pair got on well and Ward discovered that Deschanel had been writing songs for years, but had never pursued a musical career. She sent him demos of these songs and Ward was sufficiently impressed to offer to produce and play on the album. Over the years, many actors have added a musical side to their thespian talents and, more often than not, the resulting efforts have left much to be desired. For example, 2008 also brought another pairing of an indie musician with a Hollywood starlet. Dave Sitek of TV on the Radio played and produced Scarlett Johansson’s (mostly) covers album of songs by Tom Waits, Anywhere I Lay My Head. Unfortunately, Johansson’s project was let down by her weak voice

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A Legend in His Time

John Peel

On this day five years ago, John Peel was getting ready to present another episode of his radio show. Unfortunately, it would be his last as a heart attack would take his life a few weeks later while on a working holiday in Peru. He had been best known as a disc jockey and champion of the musical underdog on BBC radio. His Peel Sessions gave many bands their first chance of airplay and a load of them went on to have successful careers in the music business. Sadly, I never got to hear his shows as it was not possible for me to listen to BBC radio when he was around. Nevertheless, I’m grateful to him for giving a first chance to many bands that I count among my favourites. For example, he once announced on air that he was feeling a little peckish. A cheeky chappy from Essex heard this and he delivered a Biryani to the studio along with a copy of his demo! He was offered a session straight away and Billy Bragg has become a very respected songwriter with loads of albums under his belt

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Everyday Is Like Wednesday

Mozz Set List
Ten days ago I went to see Morrissey play the Leisureland in Salthill, Galway. Unfortunately, I haven’t had a chance to write about it until now. This delay was a combination of work, laziness, European rugby and football semi-finals, socialising, and going to the pictures. I went to the gig with my old friend, John, and a brand new one named Laura, who I had had a good chat with at the Morrissey Symposium the previous weekend. John drove up and, after a cup of tea and some cake, the three of us spent a while in Charlie Byrne’s wonderful bookstore. By the time we had left the shop, their bookshelves were a little lighter, but their cash register was a little heavier. Then, John went for a stroll around the streets of Galway, while Laura and I walked over to the pier and had a look at the “big birds flying across the sky, throwing shadows on our eyes“. It was coming up to six o’clock and the smell of books and the sea air had given us an appetite, so we met John at McDonagh’s Fish & Chip shop. We each had a plate of cod, chips and mushy peas. At our table we met a trio from Sligo who were also going to the gig. The six of us hoped that Morrissey wasn’t a vegan as well as a vegetarian and that the smell of fish wouldn’t cause him to leave the stage

Galway had not been as busy as usual and this could have been due to the rain that had been falling all day. Salthill looked miserable because of the weather and it was as if an early Morrissey sinlgle, Everyday Is Like Sunday, had come to life. When we entered the venue we were struck by the heat and the smell of chlorine that came from the adjacent swimming pools. The venue itself resembled a school gym with its wooden floor and lack of seating. We found a nice spot near the front of the stage, but not too near, and waited for the support act to begin. The best that I could say about Doll & the Kicks is that they looked like a rock ‘n’ roll band and they had a very energetic lead singer. They played about a half dozen songs and Doll hollered and danced and bounced around the stage for five of these. For one song she simply stood at the microphone stand and sang the song instead of shouting it, as had been her wont. Funnily enough, that was the only song by them that I enjoyed. Her band simply got through the songs without impressing too much. The guitarist had a rather ugly see-through guitar and also had a single key on a chain around his neck. Perhaps he had no pockets in his jeans

Once Doll and the Kicks had left the stage there were about twenty minutes to kill before the main act took the stage. What followed was visually and sonically more interesting that what had preceded it. We were treated to a series of music videos and live performances on a screen featuring some of Morrissey’s favourite musical acts. These included Sparks, The New York Dolls, Vince Taylor, Shocking Blue, and what looked like a young Shirley Bassey giving it loads. These video performances seemed to be more effective at warming up the crowd than the band had been

Then the screen went up and a version of You’ll Never Walk Alone by Nina Simone played for a couple of minutes before the lights came up to reveal the band on stage followed by a characteristically subdued entrance from Morrissey. He went straight into a Smiths’ song, This Charming Man, one of their best. The musical accompaniment was heavier than on the original, but the vocal performance was excellent and it was a great opening. It was the first of five Smiths tunes that would get an airing before the end and three of these were among the highlights for me: How Soon Is Now? Girlfriend in a Coma and Ask. He also played Some Girls Are Bigger Than Others, but I’ve never been a big fan of this song. I could be biased, but I felt that these songs got a better reaction and more crowd participation than his solo stuff

Only one of the songs on the set-list (see above) didn’t get played (The World is Full of Crashing Bores). The solo songs that we got were evenly split between his new album, Years of Refusal, and his earlier albums. The ones I liked most from the new album were the singles, I’m Throwing My Arms Around Paris and Something is Squeezing My Skull. Other highlights included Irish Blood, English Heart and The First of The Gang to Die, the encore. Most of my favourites appeared early on in the show, but my attention never waned as he is a great performer with a lot of charisma and stage presence. It was quite warm in the room and I think that the heat got to Morrissey. He was sweating quite heavily throughout the gig and had to change his shirt halfway through and at the end. One “lucky” audience member even got a souvenir of the gig in the form of his sweat-drenched shirt. At the end, the rest of the band threw out set-lists and plectrums to the audience as well. Fortunately, they kept their shirts on

Lighten Up, Morrissey – Sparks

Steven (You Don’t Eat Meat) – Sandie Shaw

Batyar (Bigmouth Strikes Again) (Smiths cover) – The Ukrainians

I’m All Lost in the Supermarket

Supermarket

Yesterday, I was doing a bit of shopping at my local supermarket. I’m afraid that it’s not an Irish one, but it’s the one that’s nearest to where I live and, as I don’t have a car, beggars can’t be choosers. To be frank, I only come in for the special offers. I sure don’t come in for the friendly greeting and pleasant conversation from the checkout girls. That’s why I prefer to use the automatic checkouts that they installed a few years ago. The place is open 24 hours a day and I prefer to shop there later in the night as it’s not as busy

When I popped in yesterday evening it was very busy and the place was full of clashing baskets and people running all over the place. To make matters worse, all the shelfstackers picked this moment to fill up the shelves. A phenomenon that I’ve noticed recently is that these guys must be involved in some kind of a race with each other to see who can stack up the shelves in the fastest time. These guys are quite dedicated to their work and are completely oblivious to all around them. As a result, I need to be quite vigilant as they are so focused on their task in hand that they don’t seem to be aware that there are also customers milling about. So, as I ambled around yesterday evening, one of the stackers must have seen me as an obstacle to his quest. I wasn’t for too long as he decided to go right through me. I think I’ll be doing my shopping a little later the next time

Lost in the Supermarket – The Clash

I’m in love with a girl on a certain Manchester megastore check-out desk – The Freshies

Let’s Loot the Supermarket Again – Mick Farren & the Deviants

Fairytale in the Supermarket – The Raincoats

Shoplifting – The Slits

Shoplifters of the World Unite – The Smiths

Queen of the Supermarket – Bruce Springsteen

Bigmouth Strikes Again

Morrissey Symposium UL

Last night I returned home from the best part of two days spent at The Songs That Saved Your Life (Again), a symposium for an English singer named Morrissey that took place at the University of Limerick. It was not uninteresting and it got me out of the house for a couple of days. I got to hear some interesting talks about the Mancunian singer, his passionate fans and his songs. I watched a number of documentaries of variable quality and saw a Smiths tribute act of questionable quality. I also met some fans of The Smiths/Morrissey as well as some less fanatical individuals

The weekend began with the European premiere of Passions Just Like Mine by Kerri Koch. This documentary looked at the huge following that Morrissey has amongst the Hispanic community in Los Angeles. It featured interviews with many of these fans and with some of the members of a couple of Hispanic cover bands who play the music of The Smiths and Morrissey. The film was a bit too long and repetitive and some of the interviews suffered from poor sound and lighting. Additionally, a lot of it was unintentionally funny as the interviews gushed about their love of Morrissey and his music. Attempts to uncover the reasons why Morrissey is so popular amongst this community were unsuccessful

The symposium’s second film was shown later that night just before the tribute act took the stage at Dolan’s. The World Won’t Listen featured sixty minutes of Indonesian youths singing karaoke versions of Smiths’ songs. A couple of the versions stood out, but this was way too long, extremely repetitive, and quite pointless. The third and final film of the weekend, Is It Really So Strange? was shown on two small screens at a bar following the final paper on Saturday. It seemed to cover much the same ground as the first film and even featured some of the same interviewees. I tuned out after a while and drifted to the bar and chatted to some of the other less fanatical attendees

The first night closed with a performance by a Smiths covers band called These Charming Men. I must admit that I’m not a big fan of tribute acts unless they are absolutely terrible. These guys were merely adequate. The guitarist was the best of the lot, the rhythm section was poor, and the lead singer reminded me more of Johnny Rotten than Morrissey. Nevertheless, the group got progressively better with each pint I drank and some of their songs were better than others

The highlights of the weekend for me were the various papers that were presented on the second day. Some of the topics covered included representations of the working class in Morrissey’s songs, fanaticism, and the influence of other works in his songs. I particularly enjoyed two of the presentations. Kieran Cashell delivered his paper on the philosophy of suicide in relation to a number of songs by The Smiths and interviews that Morrissey has given in the past. He began by looking at suicide from a philosophical perspective and then showed how these views are present in Morrissey’s interviews and in a number of his songs. He provided an excellent analysis of a Smiths’ b-side entitled Asleep and, due to time constraints, a shorter analysis of their single, Shakespeare’s Sister. It was a well-written paper and it was delivered passionately by its author

The presentation that I enjoyed the most was given by an American who now lives in New York City, although he grew up in Denver, Colorado. In the Haze of a Drunken Hour by Dan Jacobsen focused on a weekly Smiths party that takes place every Sunday at a venue in New York City. Jacobsen’s description of the venue, the people who attend it and the events that occur there every week was wonderful. He described it in great detail with humour and wit and he certainly had the audience’s attention throughout. He spoke about the cynicism of many of the hipsters who attend not from a love of the music, but to take the piss out of the genuine fans who show up each week. Additionally, he traced the roots of one of The Smiths more popular songs, There Is a Light That Never Goes Out, back to an early Marvin Gaye single, Hitchhiker. He revealed that this is part of a larger project that will culminate in a book about the venue and The Smiths

All in all, it was an enjoyable and interesting few days and a nice introduction to Wednesday’s Morrissey gig in Galway. Many of the people who attended were huge Morrissey fans, but I met a good few who were, like me, simply music fans. Here’s a few songs that I wouldn’t mind hearing on Wednesday

Bigmouth Strikes Again – The Smiths

Shakespeare’s Sister – The Smiths

Suedehead – Morrissey

Everyday is Like Sunday – Morrissey

This Charming Man

He'd charm the hind legs off a turkey

He'd charm the hind legs off a turkey

It’s going to be a busy week for Irish fans of Morrissey. This weekend The University of Limerick will hold its second symposium on the former Smiths’ lead singer. The packed schedule will feature a range of papers on the cultural impact of Morrissey and his music, the European premiere of a fan documentary and a concert by a tribute band at Dolans. Amazingly, the total cost of entry to all of these events is a recession-busting €25. For this price, you also get lunch and refreshments, although I don’t know if meat is on the menu

Morrissey is also touring Ireland next week and will be performing at venues in Killarney, Galway, Omagh and Belfast. This tour seems to have caused the University of Limerick to revert to some form of olde English as they have announced it here as “Morrissey’s Irish lege of his 2009 “Years of Refusal” tour” (my italics). I’ll be going to Galway next Wednesday to see him play at the Leisureland. I’ve seen him once before, a few years ago in Dublin, and he certainly puts on a good show. I prefer his stuff with The Smiths and feel that a lot of his solo work has been a bit inconsistent, but there’s always a few good tunes on each of his solo albums

Here are a couple of Morrissey-related cover songs. First up is his version of A Song From Under the Floorboards by fellow Mancunians, Magazine. Their original kicks off side two of their Correct Use of Soap LP from 1980. Its opening lyric should give an indication as to where the song is going: “I am angry, I am ill, and I’m as ugly as sin. I don’t know what keeps me alive and kicking”. I always play it after I’ve been on a session with my friend Damien as it perfectly sums up how I feel the next day. It’s an amazing song and Morrissey’s version does it justice. It can be found on the CD single of The Youngest Was the Most Loved from his Ringleader of the Tormentors album from 2006

A Song From Under the Floorboards (Magazine cover) – Morrissey

Cemetry Gates appears on The Smiths’ best album, The Queen is Dead (1986). The song offers perfect advice to the participants at this weekend’s symposium: “Don’t plagiarise or take on loan/’Cause there’s always someone, somewhere/With a big nose, who knows/And who trips you up and laughs when you fall”. This version is from Cork’s finest, The Frank & Walters, and was recorded for a tribute album called The Smiths is Dead (1996), which features British and Irish bands covering The Queen is Dead album

Cemetry Gates (Smiths cover) – Frank & Walters